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Piraten (Film)

Piraten (Film) Inhaltsverzeichnis

Als Piratenfilm bezeichnet man Filme, die in der Zeit zwischen dem und Jahrhundert spielen und in denen Piraten, Bukaniere, Freibeuter oder Korsaren. Piraten (Originaltitel: Pirates) ist ein französischer Spielfilm in englischer Sprache von Roman Polański aus dem Jahr Piratenfilm-Klassiker mit Errol Flynn als Seeräuber in der Karibik. von Michael Curtiz mit Errol Flynn, Olivia de Havilland. Genre: Abenteuerfilm. FSK. Zum Filmstart von "Pirates of the Caribbean: Salazars Rache": Die besten Piraten​-Filme. Es müssen ja nicht immer Depp und die Karibik-Piraten sein, es gibt. Piratenfilm von Gore Verbinski mit Johnny Depp und Orlando Bloom. Orlando Bloom, Keira Knightley und Geoffrey Rush machen sich in Disneys Pirates of the​.

Piraten (Film)

Piraten (Originaltitel: Pirates) ist ein französischer Spielfilm in englischer Sprache von Roman Polański aus dem Jahr Das Genre Piratenfilm: Die Schatzinsel, Blackbeard & Co. Die Klassiker: Piratenfilme von Robert Siodmak und mit Errol Flynn; Die Moderne. Zum Filmstart von "Pirates of the Caribbean: Salazars Rache": Die besten Piraten​-Filme. Es müssen ja nicht immer Depp und die Karibik-Piraten sein, es gibt.

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Crazy Credits. Alternate Versions. Rate This. The adventures of pirate Captain Red and his first mate Frog. Director: Roman Polanski.

Available on Amazon. Added to Watchlist. From metacritic. Adventures with Feeling. Roman Polanski Movies. Share this Rating Title: Pirates 6.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. Nominated for 1 Oscar. Edit Cast Cast overview, first billed only: Walter Matthau Boomako Ferdy Mayne Captain Linares David Kelly Surgeon Tony Peck Spanish Officer Richard Dieux Spanish Officer Jacques Maury Commander of Marines Luc Jamati Pepito Gonzalez Emilio Fernandez Angelito as Emilio Fernandez Wladyslaw Komar Learn more More Like This.

Comedy Family Fantasy. Ma reum Certificate: Tous publics Comedy Family. Animation Action Adventure. L'aile ou la cuisse Ulysses 31 — To get her revenge, she first pretends to seduce him, then attacks him with words and hurtling objects.

Meanwhile, Don Pedro convinces the viceroy that Serafin is the real Macoco and should hang for it. He plants treasure in Serafin's prop trunk to make him look like a pirate.

The army arrests him, and Manuela's protests can't free him. On the night of his hanging, Manuela finally gets to look at the false evidence, and recognizes a bracelet with the same design as the wedding ring that Don Pedro gave her, and realizes that he is the pirate.

Serafin asks to do one last show before he is hanged, and sings and dances " Be a Clown " with two fellow troupe members the Nicholas Brothers.

As a finale, he plans to hypnotize Don Pedro into admitting he is Macoco, but Manuela's aunt uses her parasol to break the mirror that Serafin uses to hypnotize people.

Panicked, Manuela pretends to be hypnotized and sings "Love of My Life," vowing everlasting devotion to Macoco. Don Pedro, jealous, reveals himself as the true Macoco and seizes her.

Serafin's troupe attacks him with all the items and juggling balls, and the lovers embrace.

Manuela joins Serafin's act and the film ends with them singing a reprise of "Be a Clown. Vincente Minnelli directed the film, from a screenplay based on the Broadway play by S.

Behrman , which had starred Alfred Lunt and Lynn Fontanne. Over the next two years, more than a half-dozen scenarists, producers, and directors worked on ideas for developing the property.

It was the play's original scenic designer, Lemuel Ayers , who suggested to MGM's preeminent musical producer Arthur Freed that The Pirate would make an effective musical.

Freed presented the idea to Judy Garland , his top musical star, and her husband, director Vincente Minnelli. Garland was then at the top of her box-office stature in Hollywood, and Minnelli was the logical choice as director, as he had successfully helmed most of her recent movies Meet Me In St.

Louis , Ziegfeld Follies , and The Clock. Garland was eager to demonstrate her talents as a sophisticated leading comedienne in the same class as Katharine Hepburn , and MGM saw a perfect opportunity to reunite her with Gene Kelly , newly returned from his navy service in World War II and an Academy Award nominee for Best Actor for Anchors Aweigh.

They fashioned a role for Lena Horne , that of Conchita, a local dressmaker and Garland's confidante. To the horror of the listeners, the team had produced an awkward, unusable reversal of Behrman's original premise.

Although the female lead remained an impressionable Caribbean girl besotted by dreams of a legendary pirate, the leading man was no longer a touring actor impersonating her daring seaman, but a dancing pirate who pretended to be an entertainer.

In two months, they turned in a witty and workable adaptation of the Behrman original, geared to Porter's songs.

The role for Horne was dropped from their script. One of these, "[It's Chic In] Martinique" was dropped when Horne's role was eliminated, but seven other Porter numbers were slotted in the new script.

Garland began prerecording the score at the studio on December 27, Madame Barbara Karinska , the famous costumiere, was engaged to execute the costume designs of Tom Keogh.

Each of the girl's costumes had five petticoats and all the embroidery was done by hand. Leading man Gene Kelly approached his role with enthusiasm.

His inspirations for the character of Serafin were his boyhood cinema heroes: the swashbuckling athleticism of Douglas Fairbanks and the hammy flamboyance of John Barrymore.

He was also eager to express his characterization through dance on film, using ballet more than he previously had.

Everyone involved in the film's production possessed exemplary credentials: Walter Slezak and Gladys Cooper were cast, respectively, as Don Pedro and Manuela's Aunt Inez; supporting roles were filled with veteran players Reginald Owen , George Zucco , Ben Lessy , and the astounding Nicholas Brothers.

Principal photography on The Pirate began on February 17, Almost immediately, the film was beset by problems.

Unhappy with Kay Thompson's arrangement of the opening number, "Mack The Black", Freed ordered the song re-recorded and re-shot. Garland termed Thompson's treatment of the song, "insanity", and Cole Porter diplomatically offered that the number "has me in a dither.

Elaborate sets were built to Minnelli's exacting instructions. For Kelly's number Nina , a plaza in the town of Calvados was built on a soundstage at MGM, with a pavilion in the middle and the streets unevenly paved with cobblestones for realistic effect.

Paramount among the problems plaguing the shooting schedule was Judy Garland 's increasing inability to perform.

Years of overwork at MGM, postpartum depression after the birth of her daughter Liza Minnelli nine months earlier, and a heavy reliance on prescription medication finally caught up with the twenty-five year old star, and she often failed to show up on time for work, if at all.

According to her biographer John Fricke, Garland was also unhappy with the way The Pirate was shaping up. Despite her initial enthusiasm to play a character outside her usual winsome all-American roles, Garland "began to feel adrift in the imaginative self-indulgence that suddenly surrounded her on the set of The Pirate.

Her instincts told her that Minnelli, Kelly, and [Kay] Thompson were unwittingly producing a motion picture for themselves- and for an audience that might not exist.

After suffering a panicked breakdown on the set during the filming of one musical number, Garland was hospitalized for a couple of weeks.

The crew and her co-workers were sympathetic to the young woman's travails, testifying that she was not a temperamental star but a talented artist struggling with health issues.

Out of days of rehearsals and shooting, Garland was absent for Several songs were cut, and others moved around. Garland and Kelly were to perform a tempestuous dance to "Voodoo".

The sequence was filmed, but MGM executives felt its choreography was too openly sexual for audiences to accept, and they ordered the number removed.

Mayer saw the footage he was so outraged he ordered the negatives to be burned. Mayer also protested the erotic flavor of Kelly's "The Pirate Ballet".

Garland's rendition of "Love of My Life" was excised, leaving only her reprise of the number near the end of the film.

Her show-stopping performance of "Mack The Black" was restaged in a more straightforward musical comedy style. The dancing Nicholas Brothers joined Kelly for the incredible first version of "Be A Clown", but theater owners in the South removed the number from their prints because white audiences wouldn't watch two African-American dancers performing with a white dancer as equals.

Audiences failed to respond to the film's high-brow ambitions, and while many critics hailed its sophistication, box office results failed to follow suit.

The New York Times offered, "The Pirate, which came yesterday to the Radio City Music Hall, is a dazzling, spectacular extravaganza, shot through with all the colors of the rainbow and then some that Technicolor patented.

It takes this mammoth show some time to generate a full head of steam, but when it gets rolling it's thoroughly delightful.

But with Gene Kelly hoofing like a dervish, Judy Garland changing character at the drop of a hat, and resplendent trappings, the show is bouncing and beautiful.

The Chicago Tribune thought, "Certainly no effort was spared; the cast is star-studded, and the settings and costumes are strikingly handsome.

Yet The Pirate is disappointing, especially in regards to its music. The film has its moments, especially those in which Kelly dominates the screen.

Piraten (Film) Video

Das Genre Piratenfilm: Die Schatzinsel, Blackbeard & Co. Die Klassiker: Piratenfilme von Robert Siodmak und mit Errol Flynn; Die Moderne. Gegen diesen Film hätte selbst der schlechte Piratenfilm mit Terence Hill und Bud Spencer "Freibeuter der Meere" mindestens 10 Oscars verdient. Also mein Rat. Schauspielerin Margot Robbie übernimmt die Hauptrolle in einem weiblichen Piratenfilm. Foto: Richard Shotwell/Invision/AP/dpa. Disney plant. Piraten (Film) One Piece Film: Strong World. Garland began prerecording the score at the studio on December 27, Color: Color Eastmancolor. Sydney Chaplin see more, Wesley Ruggles. One Piece. Sinbad: Legend of the Seven Seas. Rosvo-Roope Raunchy Ropey. Alan Clayton. The Pirate of Panama. Science fiction miniseries, based on Treasure Island. This category only includes cookies that ensures Rullet functionalities and security features of the website. Nothing is off limits in this bizarre excursion into a world of erotic peril. It is Olivia who informs the crew that the governor Schadewohl finden Beste Spielothek in Jamaica has ordered Serena's arrest and Olivia is on board to protect the crew from enemies, and to convince Edward and Jules to ask for Serena's pardon. Piraten (Film) Die Entwicklung steuerte dann auf den Höhepunkt im Jahre zu. Kanada 1. Um an Es gab keine Probleme mit just click for source Schiffen, die entstanden Beste Spielothek Bonhof finden im Computer. Gefangen und verurteilt - wegen Steuerhinterziehung! Piratenfilme unterliegen sehr oft der Altersfreigabe ab 12, seltener ab 18, genauso selten ab 6. Juli, gilt die niedrigere Mehrwertsteuer. Aufregend Viele Jäger haben für ihr Wild bislang dankbare Abnehmer in der Gastronomie gefunden: Das Tier im Ganzen verkaufen zu können, bedeutet für sie weniger Arbeit. Kanada 1. Fantasyfilm von P. Animationsfilm Zeichentrickfilm 2. Google Play Friedrich Schoenfelder. Für die Fernsehproduktion Störtebeker BR Deutschland, war gerade stürmisches Wetter, in check this out Fall an der litauischen Ostseeküste der Kurischen Nehrungausschlaggebend für die gewählte Atmosphäre. Kritiker werfen der für die Altersfreigabe zuständigen Organisation Freiwilligen Justice Online der Filmwirtschaft allerdings vor, eher im Sinne der Filmindustrie zu urteilen, da eine erhöhte Altersfreigabe die Einnahmen senken kann. Die besten Piratenfilme. Actionfilm Hauptseite Themenportale Zufälliger Artikel.

The roguish yet charming Captain Jack Sparrow's idyllic pirate life capsizes after his nemesis, the wily Captain Barbossa, steals his ship, the Black Pearl, and later attacks the town of Port Royal, kidnapping the governor's beautiful daughter Elizabeth.

In a gallant attempt to rescue her and recapture the Black Pearl, Elizabeth's childhood friend Will Turner joins forces with Jack.

What Will doesn't know is that a cursed treasure has doomed Barbossa and his crew to live forever as the undead. Charming rogue pirate Captain Jack Sparrow is back for a grand, swashbuckling, nonstop joyride filled with devilish pirate humor, monstrous sea creatures and breathtaking black magic.

Now, Jack's got a blood debt to pay; he owes his soul to the legendary Davy Jones, ghostly Ruler of the Ocean Depths, but ever-crafty Jack isn't about to go down without a fight.

Just when he's needed most, Captain Jack Sparrow, that witty and wily charmer of a pirate, is trapped on a sea of sand in Davy Jones' Locker.

In an increasingly shaky alliance, Will Turner, Elizabeth Swann and Captain Barbossa begin a desperate quest to find and rescue him.

The army arrests him, and Manuela's protests can't free him. On the night of his hanging, Manuela finally gets to look at the false evidence, and recognizes a bracelet with the same design as the wedding ring that Don Pedro gave her, and realizes that he is the pirate.

Serafin asks to do one last show before he is hanged, and sings and dances " Be a Clown " with two fellow troupe members the Nicholas Brothers.

As a finale, he plans to hypnotize Don Pedro into admitting he is Macoco, but Manuela's aunt uses her parasol to break the mirror that Serafin uses to hypnotize people.

Panicked, Manuela pretends to be hypnotized and sings "Love of My Life," vowing everlasting devotion to Macoco.

Don Pedro, jealous, reveals himself as the true Macoco and seizes her. Serafin's troupe attacks him with all the items and juggling balls, and the lovers embrace.

Manuela joins Serafin's act and the film ends with them singing a reprise of "Be a Clown. Vincente Minnelli directed the film, from a screenplay based on the Broadway play by S.

Behrman , which had starred Alfred Lunt and Lynn Fontanne. Over the next two years, more than a half-dozen scenarists, producers, and directors worked on ideas for developing the property.

It was the play's original scenic designer, Lemuel Ayers , who suggested to MGM's preeminent musical producer Arthur Freed that The Pirate would make an effective musical.

Freed presented the idea to Judy Garland , his top musical star, and her husband, director Vincente Minnelli. Garland was then at the top of her box-office stature in Hollywood, and Minnelli was the logical choice as director, as he had successfully helmed most of her recent movies Meet Me In St.

Louis , Ziegfeld Follies , and The Clock. Garland was eager to demonstrate her talents as a sophisticated leading comedienne in the same class as Katharine Hepburn , and MGM saw a perfect opportunity to reunite her with Gene Kelly , newly returned from his navy service in World War II and an Academy Award nominee for Best Actor for Anchors Aweigh.

They fashioned a role for Lena Horne , that of Conchita, a local dressmaker and Garland's confidante.

To the horror of the listeners, the team had produced an awkward, unusable reversal of Behrman's original premise.

Although the female lead remained an impressionable Caribbean girl besotted by dreams of a legendary pirate, the leading man was no longer a touring actor impersonating her daring seaman, but a dancing pirate who pretended to be an entertainer.

In two months, they turned in a witty and workable adaptation of the Behrman original, geared to Porter's songs. The role for Horne was dropped from their script.

One of these, "[It's Chic In] Martinique" was dropped when Horne's role was eliminated, but seven other Porter numbers were slotted in the new script.

Garland began prerecording the score at the studio on December 27, Madame Barbara Karinska , the famous costumiere, was engaged to execute the costume designs of Tom Keogh.

Each of the girl's costumes had five petticoats and all the embroidery was done by hand. Leading man Gene Kelly approached his role with enthusiasm.

His inspirations for the character of Serafin were his boyhood cinema heroes: the swashbuckling athleticism of Douglas Fairbanks and the hammy flamboyance of John Barrymore.

He was also eager to express his characterization through dance on film, using ballet more than he previously had. Everyone involved in the film's production possessed exemplary credentials: Walter Slezak and Gladys Cooper were cast, respectively, as Don Pedro and Manuela's Aunt Inez; supporting roles were filled with veteran players Reginald Owen , George Zucco , Ben Lessy , and the astounding Nicholas Brothers.

Principal photography on The Pirate began on February 17, Almost immediately, the film was beset by problems.

Unhappy with Kay Thompson's arrangement of the opening number, "Mack The Black", Freed ordered the song re-recorded and re-shot. Garland termed Thompson's treatment of the song, "insanity", and Cole Porter diplomatically offered that the number "has me in a dither.

Elaborate sets were built to Minnelli's exacting instructions. For Kelly's number Nina , a plaza in the town of Calvados was built on a soundstage at MGM, with a pavilion in the middle and the streets unevenly paved with cobblestones for realistic effect.

Paramount among the problems plaguing the shooting schedule was Judy Garland 's increasing inability to perform. Years of overwork at MGM, postpartum depression after the birth of her daughter Liza Minnelli nine months earlier, and a heavy reliance on prescription medication finally caught up with the twenty-five year old star, and she often failed to show up on time for work, if at all.

According to her biographer John Fricke, Garland was also unhappy with the way The Pirate was shaping up. Despite her initial enthusiasm to play a character outside her usual winsome all-American roles, Garland "began to feel adrift in the imaginative self-indulgence that suddenly surrounded her on the set of The Pirate.

Her instincts told her that Minnelli, Kelly, and [Kay] Thompson were unwittingly producing a motion picture for themselves- and for an audience that might not exist.

After suffering a panicked breakdown on the set during the filming of one musical number, Garland was hospitalized for a couple of weeks.

The crew and her co-workers were sympathetic to the young woman's travails, testifying that she was not a temperamental star but a talented artist struggling with health issues.

Out of days of rehearsals and shooting, Garland was absent for Several songs were cut, and others moved around. Garland and Kelly were to perform a tempestuous dance to "Voodoo".

The sequence was filmed, but MGM executives felt its choreography was too openly sexual for audiences to accept, and they ordered the number removed.

Mayer saw the footage he was so outraged he ordered the negatives to be burned. Mayer also protested the erotic flavor of Kelly's "The Pirate Ballet".

Garland's rendition of "Love of My Life" was excised, leaving only her reprise of the number near the end of the film.

Her show-stopping performance of "Mack The Black" was restaged in a more straightforward musical comedy style. The dancing Nicholas Brothers joined Kelly for the incredible first version of "Be A Clown", but theater owners in the South removed the number from their prints because white audiences wouldn't watch two African-American dancers performing with a white dancer as equals.

Audiences failed to respond to the film's high-brow ambitions, and while many critics hailed its sophistication, box office results failed to follow suit.

The New York Times offered, "The Pirate, which came yesterday to the Radio City Music Hall, is a dazzling, spectacular extravaganza, shot through with all the colors of the rainbow and then some that Technicolor patented.

It takes this mammoth show some time to generate a full head of steam, but when it gets rolling it's thoroughly delightful. But with Gene Kelly hoofing like a dervish, Judy Garland changing character at the drop of a hat, and resplendent trappings, the show is bouncing and beautiful.

The Chicago Tribune thought, "Certainly no effort was spared; the cast is star-studded, and the settings and costumes are strikingly handsome.

Yet The Pirate is disappointing, especially in regards to its music. The film has its moments, especially those in which Kelly dominates the screen.

Judy Garland handles a song as well as ever and has several excellent comedy scenes. Time advised, "As an all-out try at artful movie making, this is among the most interesting pictures of the year.

Unluckily, much of the considerable artistry that has gone into this production collides head-on with artiness or is spoiled by simpler kinds of miscalculations.

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